obiter scripta

Obiter Scripta, no. 66

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What he needed was to work in the shadows while another wielded power, he himself holding aloof from responsibility, reading noteworthy books within the four walls of a quiet room, writing works of his own invention, to no man subservient, beholden to none—and such was Erasmus’s notion of an ideal existence.

— Stefan Zweig, Erasmus of Rotterdam

There should be a particular word for that unexpected and poignant sense of kinship across centuries, where despite all the temporal, linguistic, and cultural differences, you feel like you’ve shared a knowing glance and a smile.

Obiter Scripta, no. 65

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Assuming the colors of the environment. Why are likes and dislikes so contagious that one can scarcely live in proximity to a person of strong sensibilities without being filled like a vessel with his pros and cons? First, it is very hard to withhold judgment entirely, and sometimes it is virtually intolerable for our vanity. It can look like poverty of thought and feeling, fearfulness, unmanliness; and so we are persuaded at least to take a side, perhaps against the direction of our environment if our pride likes this posture better. Usually, however (this is the second point), we are not even aware of the transition from indifference to liking or disliking, but gradually grow used to the sentiments of our environment; and because sympathetic agreement and mutual understanding are so pleasant, we soon wear all its insignias and party colors.

— Nietzsche, Human, All Too Human

There’s no such thing as an objective view from nowhere, of course. There are no opinions uncontaminated by affections, affiliations and aspirations. But we can choose to spend less time struggling to hear and be heard in crowded, noisy pubs and more time walking with trusted companions on quiet forest paths where ideas formerly lurking hesitant and unseen out in the undergrowth might finally muster up the courage to approach you.

Obiter Scripta, no. 64

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It will be very long before political subjects will be reduced to geometric certitude. At present the reasoning on them is a kind of arithmetic of infinity, when the best information, the coolest head, and clearest mind can only approach the truth. A cautious man should therefore give only sibylline predictions, if, indeed, he should hazard any. But I am not a cautious man. I therefore give it as my opinion that they will issue the paper currency, and substitute thereby depreciation in the place of bankruptcy, or, rather, suspension. Apropos of this currency, this papier terré, now mort et enterré, the Assembly have committed many blunders which are not to be wondered at. They have taken genius instead of reason for their guide, adopted experiment instead of experience, and wander in the dark because they prefer lightning to light.

— Gouverneur Morris, letter to William Short, The Diary and Letters of Gouverneur Morris, Vol. 1

Oh, that concluding sentence! Those old-time poet-statesmen make me swoon like a teenage girl. They weren’t just lawyers and they weren’t MBA’s: they had literary educations that included a knowledge of Greek and Latin. They knew poetry not as gut-spilling splotches of formless free verse but as a craft with a prosody that included rhyme and meter. They were taught to read it and write it, in English and the Classical languages. They didn’t have TV and the Internet so they had nothing to do with their spare time but read Shakespeare, Gibbon and Thucydides. Three cheers for progress! We have cable news and Twitter.

Obiter Scripta, no. 63

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The born aristocrats of the spirit are not overeager; their creations blossom and fall from the trees on a quiet autumn evening, being neither rashly desired, not hastened on, nor supplanted by new things. The wish to create incessantly is vulgar, betraying jealousy, envy, and ambition. If one is something, one does not actually need to do anything—and nevertheless does a great deal. There is a type higher than the “productive” man.

— Nietzsche, Human, All Too Human

Ironically, I re-encountered this aphorism while flipping through books, looking for inspiration to spark some writing after what seems like an endless string of days filled with work and the usual dispiriting effluvia of pop culture and current events. A reminder of wu wei by way of 19th-century Germany. Speaking of Taoism, Po Chu-i famously tweaked Lao-tzu for telling us that “those who speak know nothing; those who know are silent,” before proceeding to elaborate with five thousand more words. Likewise, how dare a man who published eleven books in one decade suggest I’m vulgar and ambitious for wanting to scribble a few times a week? I suppose I’m just a born bourgeois of the spirit.

Obiter Scripta, no. 62

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I would think it obvious that it is essential to human equilibrium and a true engagement with reality to acknowledge that tragedy is the defining part of human life and to accept the limits (and opportunities) this imposes, both individual and political. The effort to deny tragedy was among the fundamental factors responsible for what happened in the twentieth century. Utopianism defies tragedy—and fails.

Two of the individuals most important to my discussion, T. E. Lawrence and Vladimir Peniakoff, found a kind of serenity in resolute acceptance of and engagement with the violence in our nature, deriving from it what I would call the only true solution, the classical one, identified by Aristotle as the pursuit of virtue, the only proper pursuit for a human being.

Such is an uncomfortable route toward a solution since it demands individual self-examination and renounces the consoling ideologies and utopian illusions of a collective resolution of the human problem. Virtue is an all but totally ignored conception today, when narcissism and the (futile) pursuit of self-esteem are the prevailing counterfeits of individual worth and achievement, with death denied in the search for the therapy of immortality.

— William Pfaff, The Bullet’s Song: Romantic Violence and Utopia

Pfaff identifies the First World War as the cataclysmic event in which the old certainties were shattered. Since then, we’ve been frantically pawing through the shards, trying to piece them back together, creating various grotesqueries in the process. He also notes the role simple boredom, a frivolous longing for “something interesting,” played in the destruction. A century later, in the midst of unprecedented affluence, other bored people, needing something stronger than video games, prefer to live-action-role-play as Nazis and Communists to make their lives seem significant. As George Santayana said, that is what romantic philosophy would condemn us to: strutting and roaring. The alternative, humility, is more painful than battle.

Obiter Scripta, no. 61

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During this time, he also developed a love of pseudonyms. Franklin penned at least one hundred items under fake names throughout his life: Ephraira Censorius, Patience, the Casuist, the Anti-Casuist, Anthony Afterwit, Margaret Aftercast, and Silence Dogood, to name but a few. Pseudonyms were not uncommon for many eighteenth-century writers, in part because they reduced one’s chances of being prosecuted for sedition and because the writing could be evaluated on its own merits, instead of being subjected to personal attacks.

— Kembrew McLeod, Pranksters: Making Mischief in the Modern World

On the pre-social media web of message boards and blogs, fifteen to twenty years ago, pseudonymity was still common. I loved thinking up a different nym for each blog I commented on. Now, of course, we’ve “progressed” to the Orwellian panopticon of SocMed, where most travelers have their Facebook or Google barcode tattooed on their foreheads for easy identification. This trend has dovetailed with the emergence of the new identitarianism, according to which there is no rational argument, only predictable expressions of racial/gender/class identity. The web has gotten no less vicious with the elimination of pseudonymity; if anything, the fanatical conviction that “error has no rights” has encouraged even more brazen assaults on reputations and livelihoods. Naïve reformers (and would-be totalitarians) insist that transparency is equivalent to honesty; in reality, a world in which everyone is exposed is a world in which everyone is suspicious and reticent. There is no honesty without the freedom to fib. Ask me no invasive questions and I’ll tell you no serious lies.

Obiter Scripta, no. 60

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To follow that upward ascent and turn his words into lively vessels of spiritual growth, Plato chose to present his philosophical ideas through dialogues. The choice was dictated by the belief that the forward mental motion produced by dialogue was the only way to enliven the verbal message, above the tomb-like rigidity of the dead written word — the sema, or tomb of the word, which we’ve discussed before.

— Ingrid Rossellini, Know Thyself: Western Identity from Classical Greece to the Renaissance

It’s funny how you only notice some obvious things belatedly, once you’re ready for them. I’ve long known of Plato’s famous antipathy to the written word, but the perfunctory reminder here was accompanied by the surprising realization that somewhere along the way, I’ve come to largely agree with him. No, I don’t mean that I’ve KonMari’d all my books or anything. If books are the tombs of thoughts, I’m still quite gothic insofar as I prefer to spend my time brooding in graveyards, playing with bones. But I read mostly nonfiction, and I can’t help but think that for the earnest truthseeker, many contentious topics in that genre would be better illuminated by verbal dialogue than the laborious process of reading the book, searching out critical responses, waiting for the potential rebuttal, etc. It’s like trying to reassemble a vibrant conversation out of dusty fragments. Watching Terry Eagleton and Roger Scruton in dialogue, for example, is subtly but powerfully different than reading either in isolation. So many other topics would flourish more as conversations than monographs.

Obiter Scripta, no. 59

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It is good to go to bed early in Winter, and tonight as we sleep our dreams take punctuation from the thudding of snowploughs as they roll and bluster up and down Route 4, shaking the house yet comforting our sleep: Someone takes care, the solitary captains in their great snowships breasting through vast whiteness, cleaving it sideways into gutter drifts. If we stir as they thump past, we watch revolving yellow lights flash through our windows and reflect on the ceiling. We roll over and fall back into protected sleep.

— Donald Hall, “Winter,” Seasons at Eagle Pond

We don’t get quite enough snow in Virginia to justify it, but I still enjoy the fantasy of having a four-wheel-drive vehicle to drive in the snow (or better yet, an all-wheel-drive Subaru — I love those little tanks). It’s a lingering urge from the days when my family owned a newspaper distributorship and we were often the first ones out breaking trails through a snowstorm. I remember the satisfying feeling of security and preparedness in a vehicle designed for snow, the pleasure of being alert and focused on overcoming the danger of slick roads. Alone in a vast sea of white, I never thought of myself as the captain of a snowship, but that’s a great image, as is that of snowplows as patrolling guardians making the roads safe for the rest of us as we sleep.

Obiter Scripta, no. 58

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The rest of the book was covered in graffiti like a boxcar parked too long outside the train yard: scribbles, circles, underlines, arrows, and rambling marginalia, all against a backdrop of pink highlighter swipes.

— Michael Perry, Montaigne in Barn Boots: An Amateur Ambles Through Philosophy

I’ve never understood why people do this to their books. I mean, strictly from a pragmatic point of view, wouldn’t it be easier and better to keep a notebook (or blog) for recording your thoughts as you make your way through a book, where you can annotate to your heart’s content? It’s the clutter that bothers me — the garish colors and illegible scrawls. It’s like trying to think after walking into a small, loud room. How can I profitably absorb anything with some Pink Highlighter Notation-bro braying at me the whole time? And how much space is there in the margins to record anything of substance anyway? It’s like having a Twitter feed scrolling alongside your reading. I’ve only ever used a red pen to make small brackets around a line or paragraph for future reference. My Darwinist attitude is, if I can’t remember why I bracketed this section, I probably didn’t have anything worthwhile to say about it anyway. And now that I’ve bought myself a Scanmarker for Christmas, I don’t even need to do that anymore. (It goes without saying, but people who dog-ear pages should be put in thumbscrews.)

Obiter Scripta, no. 57

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Copcot was making his way through Shotover forest, to the east of the city, on his way to mass at Horspath church on Christmas Day 1376, amusing himself by reading Aristotle as he went, as undergraduates do, when suddenly he was confronted by a wild boar. Scholar and beast eyed each other. Then, according to an account printed in 1876, “as quick as speech the taberdar thrust the volume, vellum, brass and all, into the animal’s throat, and then finished the business with the spear, whilst his opponent was digesting his classics.” An 1823 account gives the “touching climax” to the story: “‘Swallow that, if you can’ (cried the unarmed student thrusting his Aristotle down the boar’s throat). ‘Graecum est’, cried the boar, and expired, foaming at the mouth; for he found Aristotle (as many other throats had done and will do) too hard for him.”

— Andrew Gant, Christmas Carols: From Village Green to Church Choir

We’ve seen quite a few bears on our hikes, including a mom with her cubs. This convinces me that I should start carrying some Zizek and Habermas in my pack for protection.

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