Yet that is what romantic philosophy would condemn us to; we must all strut and roar. We must lend ourselves to the partisan earnestness of persons and nations calling their rivals villains and themselves heroes; but this earnestness will be of the histrionic German sort, made to order and transferable at short notice from one object to another, since what truly matters is not that we should achieve our ostensible aim (which Hegel contemptuously called ideal) but that we should carry on perpetually, if possible with a crescendo, the strenuous experience of living in a gloriously bad world, and always working to reform it, with the comforting speculative assurance that we never can succeed. We never can succeed, I mean, in rendering reform less necessary or life happier; but of course in any specific reform we may succeed half the time, thereby sowing the seeds of new and higher evils, to keep the edge of virtue keen. And in reality we, or the Absolute in us, are succeeding all the time; the play is always going on, and the play’s the thing.
— George Santayana, “Josiah Royce”, Character and Opinion in the United States

The modern citizen lives with a rectangle glowing in his palm like a little oracle. From it comes a constant stream of emergencies, outrages, villains, heroes, and urgent calls to prove you are one of the good ones. The world is always ending; the stakes are always infinite; the moral pressure is always immediate. And because it’s immediate, it feels intimate, right here, right now, in your face, as if the drama on your screen were the whole world instead of a curated sliver of it. This is how you get the weird inflation of self-importance: people acting as if they’re standing at Thermopylae when they’re actually standing in a yoga studio lobby.
Here we are, then: the yoga studio, some staff behind a counter, a handful of righteous scolds demanding their due. The charge is grand: complicity, collaboration, silence in the face of evil. It has the romance of clandestine resistance — Vichy collaborators, secret police, the brave few defying the grey mass. It even flatters the accuser with historical resonance: I am not merely a petty bitch; I am fighting fascism. And then the “resistance” takes the form of… piling dumbbells on the floor for low-level employees to clean up.
It’s impossible not to notice the mismatch. If your cause is world-historical, why does your bravery so reliably select soft targets? Why does your fury funnel itself toward people who can’t meaningfully answer back — front-desk staff, service workers, the human beings stationed at the end of institutional pipelines? The pattern is predictable: the higher the rhetoric, the smaller the actual stakes of the chosen battleground. The nobility is abstract; the punishment is concrete. The moral grandeur is vapor; the mess on the floor is real.
People will tell you — always — that they are motivated by principle. But even if the principle were genuine, the conduct still betrays something uglier: the constant temptation to treat other people as props. You are not persuading anyone. You are not changing policy. You are not speaking “truth to power.” You are simply enjoying the privilege, for a moment, of being the kind of person who can make a mess and watch someone else clean it up, while calling it righteousness.
What is the reward? Not the stated reward — the utopia at the end of history which never arrives — but the actual reward, right now, in the nervous system. The reward is the intoxicating relief of moral permission. You get to be harsh without being harsh; you get to be cruel without being cruel. Your anger becomes virtue, and virtue becomes an alibi. You break the ordinary norms of civility, restraint, proportion, mercy, and you call the breach “courage.” Better still, the audience claps. Thousands of strangers give you a little pellet of approval: stunning, brave, truth-teller. Forbidden fruit is always sweet, but it’s even sweeter when you can call it medicine. It’s a powerful seduction for anyone who has been simmering with resentment, boredom, loneliness, or a need to feel consequential.
The tragedy is not that the world is evil, but that the world is mixed. It has always been mixed. It will remain mixed. There are genuine horrors and genuine beauties, and our small lives brush against both. But most of us will never be world-historical individuals, and the universe does not grant us sainthood as a consolation prize. The yoga studio refusing entry to federal agents would not rewrite national policy. A tantrum in the lobby will not cause the President to reverse course on immigration. Nothing in these little dramas carries the weight the actors pretend it carries.
The world does not move in a straight line toward Good or Evil like a train running on tracks. It lurches, compromises, repeats itself, forgets, remembers, repeats again. And that’s why the temptation is so persistent: because you will never be “done.” There is no final victory, on earth or in heaven. There is only the daily test, administered repeatedly: will you keep faith with the basic rules of civilized life even when you have a rationalization that tells you you’re exempt?
The rot begins with the easy little indulgence: this person “deserves” it. The staff deserve it. The bystander deserves it. The wrong tribe deserves it. The “complicit” deserve it. And because your cause is righteous, your petty vengeance is transmuted into justice like lead into gold. You learn to enjoy the taste of your own anger. You learn to confuse the stimulation of drama with the seriousness of truth.
Zoom out far enough and it’s laughable. The banners change. The hashtags change. But the human pattern doesn’t: give ordinary people an excuse, and some will use it to act out the small cruelties they were already inclined toward. They will call it activism. They will call it accountability. They will call it “speaking out.” But the constant feature is the pleasure of being allowed to do what you wanted to do anyway. “The joy of violent movement pulls you under.”
If you’re fortunate, you may find yourself reflecting at the end of your life, when the volume is turned down and the stage lights go out. The slogans evaporate. The causes blur together into a collage of righteous poses. The algorithm is gone. The audience is gone. And what remains is not your intention but your residue — what you did when you could have done otherwise.
You may see, with a clarity you avoided for decades, that the world is still its familiar mixed bag. It did not become heaven because you were furious. It did not become hell because you were silent. It simply remained what it always was. And against that unchanged backdrop, you finally confront the only thing that was ever really up for grabs: the self you made.
A ledger opens. Not a cosmic ledger; just the plain memory of choices. The times you used sanctimony as a weapon. The times you chose humiliation over persuasion. The times you unleashed chaos and congratulated yourself for doing it. The times you took pleasure in spite and called it sanctity.
And the worst part is that you knew. Deep down, you always knew. You felt the little recoil of conscience and you smothered it with a pillow: this is different; I’m different; they deserve it; history is watching. History wasn’t watching. Your followers weren’t watching, not really. Only you were capable of watching, there in your own soul, and you turned away like a coward.