Bibliomisia — hatred of books — is a silent epidemic in our society, ignored by social scientists, overlooked by the professional awareness-raisers, bereft of bumper magnets and national days of commemoration. Don’t believe me? Then listen to how proudly these people display their abusive tendencies, with no hint of shame. Don’t look away, I beg you. Bear witness with me.
First, Bill Hayes:
As I went through Oliver’s many marked-up books, I understood that the art of annotation is, almost by definition, impulsive—you have to get your thoughts down now, right now—even if it means turning the book upside down to complete a thought. There’s no time to find a pad of paper, no time to turn the page, no time to pull out a journal. (Over his lifetime, Oliver filled more than 600 handwritten journals and notebooks.)
Second, Emma Sarappo:
The margins of my books are filled with handwritten annotations such as “Absolutely not” and “STOP IT!!!!” and “girl get UP.” These are not necessarily critiques of the story; some are expressions of high praise.
…That’s the thing about books. If Barbara, or another character, is making me bang my head against the wall, I can just close the novel and move on with my life. But sometimes I like to salt my days with a person who simply grinds my gears. I might yell aloud to the empty hall; I might text everyone I know about a character’s foibles and idiocy (and tell them to read the book too). I’ve been known to, infrequently, throw my reading material across the room. Or I might just blacken more margins. Writing “I HATE THIS” inside a book can be another way of saying “I love you.”
There you have the whole pathology in miniature: the injury openly confessed, then immediately wrapped in the language of intimacy.
This is the classic logic of the abuser. Look what you made me do. “I only blackened your margins because I care so much. If you were less infuriating, less provocative, I would not have had to lose control and mark you up in purple felt pen.” Then the poor volume is shoved back onto the shelf, dust jacket pulled tight, and told to keep smiling for company. “No, no, everything’s fine. She just gets passionate about literature.” Meanwhile the endpapers look like a bathroom stall, and the title page bears the scars of “passion.”
We are asked to regard this not merely with tolerance, but with admiration. The annotator has become a romantic figure: impulsive, alive, too full of thought and feeling to restrain herself before the nearest clean surface. But this is only graffiti with better publicists. Spray-paint a train car and society still clings to certain outdated moral prejudices. Cover a novel with shrieking little exclamations and suddenly we are in the presence of intellectual vitality. No. A book is not your emotional support drywall. It is not there to absorb your all-caps eruptions. If “I love you” and “I hate this” have become interchangeable, that may explain a great deal about contemporary culture, but it does not contribute to the well-being of the book.
It is one of the many achievements of liberal modernity to have taught people that every appetite becomes noble the moment it is furnished with a vocabulary of self-expression. The old barbarian merely pillaged. The new barbarian announces that she is in dialogue. Her outrages arrive garnished with theory. What was once defacement is now “interaction;” what was once possessive ugliness is now “making the text one’s own.” I confess I am old-fashioned enough to believe that a book already is its own. I do not improve a cathedral by chalking objections on the pillars, nor honor a symphony by shouting commentary over the second movement. But the bibliomaniac of destruction — that is to say, the bibliomisiac — finds every finished object intolerable until it bears some trace of his own precious ego. He cannot read without leaving fingerprints on the texts.
Has your first edition been marked, dog-eared, or struck with handwritten outbursts? You are not alone. Every year, thousands of innocent books suffer in silence at the hands of “enthusiastic readers” who insist the abuse is really affection. At SafeShelf, we provide emergency rehoming for hardcovers in crisis, confidential repair services for damaged endpapers, and trauma-informed support for volumes with banalities scrawled in the margins. Because love should not leave visible scars.




