Tyler Austin Harper:
Kingsnorth’s most contentious claims concern his insistence that technoculture and its products—large language models, genetic engineering, and so on—share a great deal in common with progressive ideas about sex, sexuality, and gender. They all, in his telling, attempt to use technology to overcome what were once hard natural limits. Unlike some other critics of the transgender movement, however, Kingsnorth shows compassion for those struggling with their identity and does not scapegoat them for larger problems in society. “People with gender dysphoria, girls with short hair, boys who play with dolls, people whose sexualities differ from the norm: they are not, in fact, the real issue,” he writes. But he rejects assertions that “biology is a problem to be overcome” and that the “body is a form of oppression.” These ideas, first aired on his Substack, have, not surprisingly, alienated some fans of his earlier environmental writing. The writer, green activist, and former Kingsnorth enthusiast John Halstead said that Kingsnorth has become a “transphobic proto-fascist.” Specifically, Halstead argues that Kingsnorth confuses sex with gender, and is mistaken to call binary sex “natural,” given that other species have more sexual variation.
For my part, I don’t find Halstead’s objections especially persuasive. Rather, the principal problem with Kingsnorth’s gender analysis is that it mostly ignores the ways that those of us who live in the aftermaths of the industrial, scientific, sexual, and digital revolutions are all already “cyborgs,” as the science and technology theorist Donna Haraway would put it. Microplastics permeate our bodies, birth control courses through our veins, smartphones rewire our neural pathways, medical devices keep our hearts pumping. If, as Kingsnorth claims, gender-affirming medicine is an assault on human nature and the human body, then so, too, are pacemakers and prosthetic limbs, or Botox and condoms, for that matter.
I’ve never been much interested in Paul Kingsnorth. I’m not a Luddite, and I have no interest in becoming a subsistence farmer in response to the “climate crisis,” which I think is mostly performative hysteria. However, it does seem like his newest book, Against the Machine, might still grapple with some interesting issues. I realize it’s The Atlantic — caveat lector and all that — but I was nonetheless annoyed to encounter this irrelevant tangent. Kingsnorth’s concern is that modern technoculture treats everything — land, animals, even the human body — as raw material for the will, rather than as something given that places claims on us. That’s a theme even I’m interested in. Instead, I’m forcibly reminded that I’m reading a review tailored to the sensibilities of Acela corridor midwits: we get a narrative detour to confirm that, yes, some thoughtcrime may occur here, but there’s no need to panic, it has been safely contained and rebuked, and we remain Good People. It feels less like a serious engagement with Kingsnorth’s argument and more like a pilot’s announcement of mild turbulence. The reader is invited to relax. Whatever Kingsnorth thinks about bodies, limits, and modernity’s Promethean will, it won’t require changing any of the emojis in your social media bio.
What makes it more exasperating is that even the counterpoint offered is rote and weak. Harper blithely suggests that we’re already cyborgs, so who is Kingsnorth to object to gender-affirming surgeries and hormones? But this is just a category mistake. There is an obvious difference between unintended collateral damage (microplastics), restorative medicine (pacemakers), and deliberate, irreversible interventions into healthy sexual development. To pretend they all belong in one moral category called “assaults on nature” is precisely the sort of flattening a serious critic is supposed to resist, not perform.
Which is a shame, because aside from the obligatory culture-war throat-clearing, Kingsnorth’s basic question is unavoidable: are there any non-negotiable limits built into human nature and the world, or is everything from sex to climate to cognition just clay for the will to mold? You don’t have to be a radical environmentalist or a would-be peasant in rural Ireland to see the importance of it. You can reject Kingsnorth’s own answers and still recognize that he’s at least posing the right kind of question. What I want from a review is help in thinking that question through, not another in-flight assurance that the moral instruments are functioning and the crew’s politics are sound. If Kingsnorth is wrong about givenness and limits, show me where. If he’s right in places but goes too far, mark the line. But don’t waste my time with ritual genuflection toward the Rainbow God. I can get that from any algorithmic feed. From critics, I’d prefer something closer to thought.
For a sense of what actual context and perspective looks like, you can put Harper’s piece alongside John Gray’s review of the same book in the New Statesman. Gray takes Kingsnorth’s central claim seriously: that contemporary environmentalism and progressive politics are not a radical alternative to the Machine but one of its more hysterical moods, still committed to remaking the world as raw material for human projects. Gray traces the lineage of this idea through Lewis Mumford’s “megatechnics,” Kingsnorth’s Dark Mountain phase, his eventual conversion to Eastern Orthodoxy, and the eschatological fiction. Then he does the thing a critic is supposed to do: he asks whether a collapse of the Machine would mean anything like Kingsnorth’s “uncivilisation,” or whether, as history suggests, it would more likely mean famine, pogroms, militias, and then a new, harsher form of industrial order.
Reading Gray after Harper clarified what had been bothering me. Gray sees the same faults I see in Kingsnorth: the fantasy that a smallholding in Galway could somehow scale to eight billion people; the muddled eschatology that can’t decide whether it wants Christian apocalypse or pagan world-cycles; the refusal to admit that renouncing technological progress may mean a more denatured planet, not less. Watching him work through those points, you can feel a mind engaging the book’s actual architecture. With Harper, by contrast, I found myself briefly disoriented: what does gender have to do with Kingsnorth’s core outlook? Why is that the element being singled out for extended treatment? It’s like a film where a jarring line or bit of acting breaks the spell: suddenly you’re no longer inside the world of the story, you’re staring at a studio note. Gray makes me want to argue with Kingsnorth; Harper makes me want to argue with The Atlantic.