What must be preserved from the encroachments of the calculator are forms of writing in which excellence was always an uphill battle: the long-form essay, literary fiction, poetry, plays, memoir, as well as personal letters. But even this preservation must make room for reasonable carve-outs. There’s a difference between a journalist who prompts Claude to generate a sentence, a paragraph, or a whole article, on the one hand; and one who asks Claude a factual question, on the other. The latter is doing something no different from consulting Google (Google results now are AI-driven anyway).
Norms can and should be developed within these professions for certifying organic work, which will no doubt command higher prices, just as handmade furniture from a carpenter comes at a higher cost than a chair from IKEA. If this means fewer people will be thought of as true writers, is that really such a bad thing?
I think we’re in the “bargaining” stage of the AI discourse. “OK, fine, you can have all of this writing. But surely you’ll leave me poetry, literary fiction, and personal letters?”
“Organic work commanding higher prices” strikes me as “capitalism wins again.” If some people get a thrill out of cultivating a New Yorker-type of relationship to writing, good for them. No different than if they spend thousands of dollars sniffing wine corks, even if I think it’s absurd. The human animal will always find a way to turn even a new status quo into a status game. Human writing becomes artisanal cheese. There will almost certainly be people for whom “human-written” becomes part of a cultivated relationship to language in the same way other people cultivate architecture, jazz, watches, coffee, typography, or restaurants. They may possess genuine discrimination. They may also be unbearable about it. Usually both are possible at once.
This is another instance where I wonder if the form of the piece doesn’t cause the tepid conclusion. It’s like: a writer has an insight about AI. He sets out his thoughts. But his thoughts don’t end on a summarizing note, and certainly not an uplifting one. So a “call to action” sort of ending gets perfunctorily tacked on, perhaps at an editor’s urging. Obviously, there’s no way to know. But it’s such a common occurrence that I wonder if it happens often. The conclusions are often so rote and uninspired.
The interesting part of the essay is exploratory. Gasda keeps discovering complications: the AI/non-AI binary is unstable; cognitive outsourcing long predates LLMs; writers have no principled reason to exempt their own favorite cognitive activity without explaining why; detector culture is corrosive; and the boundary between legitimate and illegitimate assistance is difficult to draw. But then, with very little argumentative preparation, we get: preserve literary genres, create professional norms for certifying “organic work,” accept a premium market for it, and perhaps recognize fewer “true writers.” It has the sound of an essay pilot being told, You need to land the plane. But the actual intellectual landing point might simply have been: “I don’t know where the line is. The old line doesn’t survive contact with the technology, and any new one will be contingent, socially negotiated, and probably unstable.” But that wouldn’t feel like an “ending” in the conventional magazine sense. It lacks resolution. It gives the reader no prescription, no hopeful gesture, no institutional program, no “what we must do.” I suspect this produces a great deal of bad nonfiction.
The first-person writer can stop at the exact point where his judgment stops. He can say, “I noticed this. I followed it as far as I could. Here is the shape it seems to have. I don’t know what follows from it.” No editor needs a call to action. No audience-development person needs the reader to leave feeling empowered rather than vaguely unsettled. Blogs at their best have a quality that magazine essays often lack: they preserve the scale of the thought. The writer doesn’t have to inflate an observation into a thesis or a thesis into a program. He can just say, “Here’s how I see it. Take it or leave it.”






